[Date Prev][Date Next][Thread Prev][Thread Next] - [Date Index][Thread Index][Author Index]
Audio Transmission Line Optimization
- Subject: Audio Transmission Line Optimization
- From: "In Space, No One Can Hear You Snore" <DSCHULTZ@xxxxxxxxxxxxxxxxx>
- Date: Wed, 1 Apr 1998 10:27:39 GMT
Knowing that many hams are also interested in high performance audio
systems, I thought that I should pass on this important technical
advice offering suggestions on how to optimize your loudspeaker wires.
Some of this advice is no doubt applicable to RF transmission lines
also......
Dan Schultz N8FGV
-----------------------------------------------------------------------
Wizardry With Wire
At least for the present, we still need wire to connect up most audio
equipment. Here are a few application tips on selecting and getting
the best performance from wire.
Check any good handbook of physical constants and you will find that
silver has much lower resistivity than copper. In fact silver has the
lowest resistivity of anything which is solid at room temperature and
is thus suitable for making wires. However, from a cost perspective,
the practical solution is to use thicker copper wire. Still, to avoid
the debilitating nature of skin effects, the best solution is to use
silver plated copper wire. Of course, not to be overlooked is the fact
that copper is reddish, and so will tend to brighten or warm up the
sound; while silver, being white, will tend towards a neutral
presentation, which can be tweaked towards brightness by selective
use of gold-plated jacks and plugs.
The type of wire insulation used can grossly affect sound quality.
For example, rubber-type insulations act as shock absorbers that dampen
dynamic peaks (such as turning the crack of a rim shot into something
more like a thud). They also have a high coefficient of friction which
slows the passage of sound through the wire causing the musical pitch
to be lower. To counteract this effect, musical groups have to tune to
a concert A as high as 450 Hz in order to for the correct musical pitch
to be reproduced through the sound system. The best wire insulation is
Teflon which is a very firm material with a very low coefficient of
friction. This allows the sound to slide easily through the wires
without dampening the peaks or slowing it down.
The colors of wire insulation should be selected according to light
spectrum wavelengths and absorption. Generally bright colors are
reflective. Therefore bright colored insulation will reduce high frequency
loses by reflecting HF audio back into the wires thus maintaining clarity
and brightness. Dark, absorptive colors should be used for low frequency
wire insulation. By absorbing and carrying some of the low frequency energy
dark colored insulation actually increases the effective diameter of the
conductor - a good thing for improving the high current flow needed at low
frequencies.
You should also rack your signal sources above your amplifiers, and rack
the amplifiers higher than the loudspeakers. This is so that the electrons
don't have to struggle uphill through the wires to get the sound out. You'd
be amazed at the difference that can make. Also, both speakers should be
off to the same side of the amp, so that the loudspeaker cables are subject
to the same Coriolis forces owing to the earth's rotation; failure to
observe this can result in truly nasty phase shifts.
Dr. Sam Gidren
AMSAT Home